Review
'The ultra unscrutable feminist theorist' - "The New York Times" 'A literary critic, and a very intelligent one...a sort of French Susan Sontag.' - "The Financial Times" '"Stigmata's" sample of offerings brings the reader up to date with her current concerns [and] make[s] a worthwhile contribution to Cixous studies ... undoubtedly of value to those students, teachers and researchers who are interested in her rich body of writing.' - "Gill Rye, Women's Philosophy Review" 'HelA ne Cixous is in my eyes, today, the greatest writer in the French language. Stigmata is henceforth a classic. One of her most recent masterpieces.' - "Jacques Derrida"

"Shakespeare, Spenser and the Matter of Britain" examines the work of two of the most important English Renaissance authors in terms of the cultural, social and political contexts of early modern Britain. Andrew Hadfield demonstrates that the poetry of Edmund Spenser and the plays of William Shakespeare demand to be read in terms of an expanding Elizabethan and Jacobean culture in which a dominant English identity had to come to terms with the Irish, Scots and Welsh who were now also subjects of the crown.

Book Description
Speak: A Short History of Languages is a history of human speech from prehistory to the present. It charts the rise of some languages and the fall of others, explaining why some survive and others die. It shows how languages change their meaning, shape, and sounds, and how the history of languages is intimately linked to the history of peoples. Written in a lively, readable style, it makes no assumptions about previous knowledge.

The most familiar assertion of Shakespeare scholarship is that he is our contemporary. Shakespeare After Theory provocatively argues that he is not, but what value he has for us must at least begin with a recognition of his distance from us. Only then can we be sure that what we hear are his concerns, rather than the projections of our own. Shakespeare After Theory sees Shakespeare's artistry as it is realized in the earliest conditions of its materialization and intelligibility: in the collaborations of the theatre in which the plays were acted, in the practices of the book trade in which they were published, in the unstable political world of late Tudor and Stuart England in which the plays were engaged by various publics.